You always want to have a little bit of levity in it in some way to give the audience some sort of release that maybe they were not expecting. That is the way we always try to approach things and the way we work with all of our projects. We just had to try and make this.ĭo you think this is the type of film that could be made without being satirical?Ĭhad: I don’t know, this one in particular, I think it needs to have that ability to not take itself too, too seriously.
It was a mix of all that for us, and it just thrilled us. It’s like 7 or 8 main characters, and they all have a very unique perspective.
For us, it was those things, and the characters being so well written and so distinct. That was sort of the magic of it for us, that you had this cool, biting social commentary that we all love and then you also had this incredibly fun, survive the night thriller…and it’s funny. Was it the overall message? Or was it that madcap journey that helped deliver it? That being said, when attaching yourselves to the film, what was the more interesting part you wanted to explore. It’s a real feat of writing that it worked as well as it did on the page, and it was so convincing, that it was something that we were all desperate to protect as we were moving the project forward.
#Radio silence after final interview movie#
We obviously went in, we made a bunch of tweaks in development, but thankfully, the thing that we never touched, and never wanted to touch - and this is us, the producers, and thankfully the studio - was that really weird, unique tightrope that the movie walks the entire time. What you see on the screen now was really well represented in the earliest drafts of the script. I would say that overall, the tone of the movie didn’t really change much over the course of development.
Tyler: Actually, when we got the script, one of the things that we were blown away by was how specific and consistent the tone was.
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